Research on the creation concept of "beautiful material and skillful workmanship" in modern product design

Proceeding
DOI: 10.31483/r-112874
Open Access
All-Russian scientific and practical conference with international participation «The Topical Issues of the Humanities and Social Sciences: from Theory to Practice»
Creative commons logo
Published in:
All-Russian scientific and practical conference with international participation «The Topical Issues of the Humanities and Social Sciences: from Theory to Practice»
Authors:
Ying dong Wu 1 , Ariunaa Shajinbat 2
Work direction:
Вопросы культурологии
Pages:
303-307
Received: 3 September 2024

Rating:
Article accesses:
273
Published in:
РИНЦ
1 Mongol'skii universitet postvysshego obrazovaniia
2 Institut filosofii Mongol'skoi akademii nauk
For citation:

Abstract

In contemporary society, product design is no longer limited to simple functional considerations, but has gradually evolved into a comprehensive discipline that integrates art, technology and humanities. As the three core elements of product design, material, aesthetics and technology play a vital role in shaping product shape, improving user experience and transmitting cultural connotation. This paper aims to deeply explore the creation concept of "material beauty and workmanship" in product design, through the analysis of Chinese traditional creation concept and pragmatic aesthetics, as well as the study of the post-industrial era and personalized consumption trend, combined with the relationship between materials, aesthetics and technology in modern product design, to explore its application value in contemporary product design. It is hoped that these studies can provide useful inspiration and reference for the development and innovation of product design field.

References

  1. 1. Hu Fei. Rethinking of "the beauty and dexterity of nature, earth, air and materials". Packaging Engineering. – 2007. – No. 05. – Pp. 84–87.
  2. 2. Hu Fei. Exploration of traditional Chinese design thinking mode. Beijing: China Architecture and Construction Press, 2007.
  3. 3. Guo Min. The Misuse of Flatness: Mondrian's Neoplasticism and Popular Culture. Jianghan Forum. – 2012. – No. 8. – Pp. 78–81.
  4. 4. Shen Xiaochen. On Papanek's design ethics – taking «Designing for the real world» as an example. Art Education Research. – 2017. – No. 07. – P. 98.
  5. 5. Tian Weiling. The status quo and significance of traditional handicraft in modern life. Art and Design (Theory). – 2017. – No. 9.
  6. 6. Xu Xiaoyan. Beautiful materials and Skillful workmanship – the modern enlightenment of the creation thought in Kaogong Ji. Art Education. – 2011. – No. 07. – P. 141.
  7. 7. Fan Qi. The craft thought of «Kaogong Ji». Journal of Historical Science. – 2005. – No. 10.
  8. 8. Wu Deming. On the humanistic concern complex of science and technology thought in Kaogong Ji. Journal of University of Science and Technology Beijing (Social Science Edition). – 2010. – No. 02.
  9. 9. Ling Jiyao, Xu Hengchun. Art and Design. Shanghai: Shanghai People's Publishing House, 2000. – P. 37.
  10. 10. Song Yingxing. Natural work opens things. Guangxi People's Publishing House, 1976.
  11. 11. Hangjian. History of Chinese craft Aesthetics. People's Fine Arts Publishing House, 2007.
  12. 12. Peng Xiaoying. The development mode of traditional craft in modern design – taking furniture design as an example. Popular Literature and Art. – 2016. – No 24. – P. 77.
  13. 13. Zhang Qingsong. Clever work to create things test work record vernacular diagram. Changsha: Yuelu Press, 2017.
  14. 14. Shi Lin. Study on artisan Culture of Zhou Li. Cultural Heritage. – 2020. – No. 02.
  15. 15. Wu Tinghai. Study on the time when Kaogong Ji was written – Also on the knowledge system of Kaogong Ji craftsmen. Decoration. – 2019. – No. 10.
  16. 16. Yin Dingbang. Introduction to Design. Changsha: Hunan Science and Technology Press. – 1999. – P. 25.
  17. 17. Luo Jun. The context and ethical concept of creation art. Art of Design, 2004.
  18. 18. Yang Guobin. Application of Functional Beauty in Modern design. Grand View, 2018.

Comments(0)

When adding a comment stipulate:
  • the relevance of the published material;
  • general estimation (originality and relevance of the topic, completeness, depth, comprehensiveness of topic disclosure, consistency, coherence, evidence, structural ordering, nature and the accuracy of the examples, illustrative material, the credibility of the conclusions;
  • disadvantages, shortcomings;
  • questions and wishes to author.