Research on the Inheritance and innovation of birch bark handicraft skills from the perspective of Comparative Art
Proceeding
- Published in:
- All-Russian scientific and practical conference with international participation «The Topical Issues of the Humanities and Social Sciences: from Theory to Practice»
- Authors:
- Yan Zhang 1 , Ariunaa Shajinbat 2
- Work direction:
- Вопросы культурологии
- Pages:
- 308-311
- Received: 3 September 2024
- Rating:
- Article accesses:
- 522
- Published in:
- РИНЦ
1 Mongol'skii universitet postvysshego obrazovaniia
2 Institut filosofii Mongol'skoi akademii nauk
2 Institut filosofii Mongol'skoi akademii nauk
- APA
For citation:
Zhang Y., & Shajinbat A. (2024). Research on the Inheritance and innovation of birch bark handicraft skills from the perspective of Comparative Art. The Topical Issues of the Humanities and Social Sciences: from Theory to Practice, 308-311. Чебоксары: PH "Sreda". https://doi.org/10.31483/r-112876
DOI: 10.31483/r-112876
Abstract
Comparative Art, centered on the conscious comparison of diverse research subjects, provides artists with a liberating, expansive, dialectical, and innovative creative realm, grounded in the principle of comparison. This approach furnishes a robust theoretical foundation for artistic endeavors. Using Tao Dandan, the custodian of birch bark craftsmanship listed on Heilongjiang Province's intangible cultural heritage, as a case study, this paper delves into the aesthetic, heritage, and innovative dimensions of her works. It illustrates how emerging ethnic minority inheritors of intangible cultural heritage, exemplified by Tao Dandan, employ comparative art methodologies in their creative practices. Additionally, it explores their approaches and reflections on borrowing and innovating birch bark techniques from diverse cultural contexts.
References
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