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List of publications on a keyword: «musical art»

  • Artistic and Creative Parameters of Saxophone Evolution in the Context of History of Musical Art, Organology and Acoustics

    Proceeding
    The Development of Modern Education in the Context of Pedagogical Competenciology
    Author:
    Meng Ge
    Work direction:
    История, проблемы и перспективы развития образования
    Abstract:
    From the first minutes of life, a person is immersed in the world of sound. We are surrounded by various sources that emit sounds that are perceived by our auditory system. Thanks to the perception of sound, we receive a very large amount of information about the surrounding objects and phenomena that make these sounds. Sound is a wave. A sound wave is a mechanical vibration that, spreading and interacting with the organ of hearing, is perceived by a person [4]. The section devoted to these waves in physics is called acoustics. The profession of people who are popularly called «hearing people» is acoustics. A sound wave is a wave propagating in an elastic medium, it is a longitudinal wave, and when it propagates in an elastic medium, compression and discharge alternate. The purpose of the study is to identify the artistic and creative parameters of the saxophone in the context of the history of musical art, organology and acoustics. Research objectives: to study materials on the evolution of the saxophone and determine its artistic and technical originality and advantage. The object of the study is the artistic, expressive and acoustic features of the evolution of the saxophone. Hypothesis of the study: the perception of the world by a person is carried out on the basis of his study of the objective laws of the universe. A person is continuously affected by a wide range of various phenomena. One of the most common phenomena that a person needs to take into account in his life, especially in the field of musical art, is such a phenomenon as resonance and musical acoustics. This will determine the objective perception by both performers and listeners of the sound of such a musical instrument as the saxophone.
    Keywords:
    sound, history of musical art, the evolution of the saxophone, artistic and creative aspects of the saxophone, musical acoustics, acoustic resonance, sound features, sound wave
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  • "Four Pieces on Lute Music Themes of the XVI and XVII Centuries" by S.N. Vasilenko: in the Context of Art

    Research Article
    Development of education No 4 (10)
    Author:
    Olga V. Radzetskaya
    Work direction:
    Practice
    Abstract:
    The relevance of the article is related to the process of studying ensemble disciplines, because students due to this process need to create a three-dimensional representation of the work of the studied composer. The purpose of the article is an acquaintance with a number of compositions to create a convincing artistic interpretation of the work. Methods – description, observation, representation. The article presents an overview of the heritage of one of the prominent figures of Russian musical art in the first half of the XX century – Sergey Nikiforovich Vasilenko, who had a well-deserved respect among admirers of the academic style and traditions of the Moscow school of composition. The focus is on the review of chamber and ensemble music by S.N. Vasilenko, which reflects the specifics of the composer's creative thinking: a colorful sound palette, an appeal to the folklore heritage of Eastern peoples, original instrumental compositions, and ancient music of Western European composers. Results: substantiation of the author's idea in creating an exquisite program suite "Four pieces on themes of lute music of the XVI–XVII centuries" for cello (or viola) and piano (1918). This is one of the first works for viola written by S.V. Vasilenko in the post-October period of art, rarely performed and practically not found in educational practice. Conclusion: this cycle is the basis for further study of chamber literature for viola in historical dynamics and perspective.
    Keywords:
    art, pedagogy, musical art, Vasilenko, ensemble
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  • Mordovian Composer N.V. Kosheleva: Contexts of Oeuvre

    Research Article
    Development of education No 4 (6)
    Author:
    Olga V. Radzetskaya
    Work direction:
    Ethnopedagogics
    Abstract:
    The article considers the natural and ethical as well as professional and aesthetic spheres of the famous mordovian composer N.V. Kosheleva’s oeuvre. The aim of the study is to create an idea of the principles of master’s musical writing style formation. During the study following methods were applied: theoretical, observation, comparison. Result. The focus is on ethnic cultural traditions as the foundation of the author's creative thinking, as a source of professional education and spiritual life. Among them: mordovian language, folk songs, national costume, female archetype, reflected in the legends, myths and tales of Mordovia. It is concluded that the natural and ethical spheres of Nina Vasilevna Kosheleva's composer palette are closely related to the female archetype, one of the oldest symbols of the Volga-Ural region. This original and diverse phenomenon in its manifestations allowed the composer to create unforgettable images with vivid emotionality and deep psychologism.
    Keywords:
    folklore, Kosheleva, musical art of Mordovia, composer
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