En
Register Log in

List of publications on a keyword: «song»

  • Reflection of the events of the Great Patriotic War in the song culture of the forties

    Proceeding
    University as a factor of Modernization of Russia: History and Prospects (to the 55th anniversary of the I.N. Ulyanov ChSU)
    Authors:
    Marina V. Sturikova, Mikhail S. Toporishchev
    Work direction:
    Наследие Великой Победы и преемственность поколений
    Abstract:
    In this article, the author examines the importance of song in the history of the Great Patriotic War, since songwriting created during these years is today an important tool for preserving historical memory, learning lessons from the past and striving to preserve peace. The article analyzes the composition of some songs both in terms of ideological content and musical form, shades, dynamics, etc. The article presents reasoned conclusions about the importance of preserving the song heritage of the forties for future generations.
    Keywords:
    analysis, content, the Great Patriotic War, songs, idea
    Go 

  • Music during the Great Patriotic war – the example of the Republic of Tatarstan

    Proceeding
    University as a factor of Modernization of Russia: History and Prospects (to the 55th anniversary of the I.N. Ulyanov ChSU)
    Authors:
    Iuliia I. Tsykina, Rafael' R. Shamsutdinov
    Work direction:
    Система образования и культура в период Великой Отечественной войны
    Abstract:
    The article deals with music of the Great Patriotic War period. The musical culture of the war years in the Tatar ASSR. It is revealed that in these years the Tatar musical art developed in the spirit of the trends of the time, under the slogan «All for the front – all for the Victory!».
    Keywords:
    the Great Patriotic War, the Republic of Tatarstan, songwriters, Musa Jalil, Farid Yarullin, Khusnulla Valiullin, Ismai Shamsutdinov, Husain Abdulmenov
    Go 

  • Ethnographic Notes of N. V. Nikolsky on the Chuvash People of the Village of Apanasovo-Temyashi

    Research Article
    Ethnic Culture Volume 4 No 2
    Author:
    Olga N. Egorova
    Work direction:
    Ethnography, Ethnology and Anthropology
    Abstract:
    The work is devoted to the analysis of ethnographic records of the doctor of historical sciences, professor N. V. Nikolsky about the Chuvashs of the village of Apanasovo-Temyashi, Yalchik district of the Chuvash Republic, stored in the scientific archive of the Chuvash State Institute of the Humanities. The materials of the scientist are valuable historical sources that describe the general picture of the everyday life of the Chuvash village at the turn of the 19th-20th centuries. The collection of ethnographic material was carried out by the researcher through participant observation as part of his expedition. A special layer in the fund of N. V. Nikolsky is represented by Chuvash folk songs, which reveal links with modern vocal culture. The work is based on the analysis of archival documents in their relationship with historical events in general and the biography of N. V. Nikolsky in particular. The study aims to introduce newly discovered documents into scientific circulation, as well as song material, which is important from the point of view of folklore. The ethnographic materials of N.V. Nikolsky are important not only for the descendants of the inhabitants of Apanasovo-Temyashi: his work in the study of the history, ethnography, folklore and language of the Chuvash is of national importance.
    Keywords:
    Chuvash ethnography, Chuvash village at the turn of the 19th-20th centuries, Chuvash songs
    Go 

  • ORNITHOMORPHIC SYMBOLISM IN COSSACK SONGS FROM THE REPERTOIRE OF THE FOLKLORE AND ETHNOGRAPHIC ENSEMBLE "POKROV" VSSPU

    Proceeding
    History of culture, study of art and philology: modern points of view
    Authors:
    Anastasiia I. Vetiutneva, Viktoriia V. Putilovskaia
    Work direction:
    Культурология
    Abstract:
    The article discusses Cossack songs from the repertoire of the Pokrov ensemble, in which ornithomorphic symbols are present.
    Keywords:
    Cossack song, ornithomorphic symbolism, "bird" parallelism
    Go 

  • FEATURES OF VOCAL WORK WITH YOUNGER SCHOOLCHILDREN ON LEARNING PATRIOTIC SONGS

    Proceeding
    Psychological and Pedagogical Research – Tula Region
    Authors:
    Ekaterina S. Paklina, Viktoriia V. Putilovskaia
    Work direction:
    Психологические аспекты социально-педагогического сопровождения детей и подростков разных категорий в образовательном процессе
    Abstract:
    The article describes the features of vocal work with younger schoolchildren on learning patriotic songs.
    Keywords:
    junior schoolchildren, patriotic song, vocal work
    Go 

  • Genesis and Ritual Meaning of Belarusian «Volochobnye» Songs

    Research Article
    Ethnic Culture Volume 4 No 1
    Author:
    Rimma M. Kovaliova
    Work direction:
    Ethnography, Ethnology and Anthropology
    Abstract:
    The article is devoted to the problems of the origin and ritual meaning of the spring «volochobnye» rituals of the Belarusian people. Those rituals have been analyzed through the mythological and ritual meaning of the «volochobnye» songs and in the comparison with the winter «Kolyada» rituals. The purpose of the article is discovering the common genre and mythological roots of the «volochobnye» and «kolyadnye» songs with attention to the reasons for different actualization of Christian motives. Based on the historical-genetic method, the origin of Belarusian «volochobnye» songs is associated with a chronomyth common to calendar rituals. Their ritual meaning is in magical recreation of the chronomyth through actualization of certain chrono-images, chronomotives, plot chronosituations in the songs. It has been revealed that the «kolyadnye» and «volochobnye» songs, which differ in the time of performance, look like the heirs of the hymnic archegenre, which arose from the most ancient magical exclamations through the development of a meaningful text. Both cycles retain common archaic features, but the genetic connection with the Christian ideology in the «volochobnye» songs is clearly higher due to the ritual integration of different calendars – natural, labor, and Christian. «Kolyadnye» and «volochobnye» songs correlate with parallel calendar systems, which is a consequence of the former dialectic nature of the ritual culture of the ancestors of the Belarusians. It has been concluded that with a certain coincidence of the areas of «kolyadnye» and «volochobnye» songs, the core of the latter is in Polesye, which can be considered as a result of the former dialectic nature of the calendar and ritual culture of the proto-Belarusian tribes, the parallel existence of different calendar systems and thereby close the problem of the historical primogeniture of either «volochobnye» songs or «kolyadnye» songs as scientifically irrelevant.
    Keywords:
    «volochiobnye» songs, «kolyadnye» songs, chronomotives, hymnic archegenre
    Go 

  • Ethnocultural Approach to the Formation of Musical and Pedagogical Repertoire on the Example of Vocal Lyrics of Chuvash Composers

    Review Article
    Ethnic Culture Volume 4 No 1
    Author:
    Alisa L. Agakova
    Work direction:
    Ethno-Cultural Problems of Education
    Abstract:
    The purpose of the article is to substantiate the ethno-cultural approach to the formation of the musical and pedagogical repertoire of students of the Chuvash State Institute of Culture and Arts. The implementation of the ethno-cultural approach ensures the orientation of their professional training to the development of culture as a historically determined type of human activity with certain ethnic characteristics. The author examines the potential of Chuvash vocal lyrics in the aspect of an ethnocultural approach, for which he analyzes romance in detail as a genre of Chuvash composer music. Based on the method of stylistic analysis, conclusions are drawn about the derivative character of the Chuvash romance, which goes back through the Russian medium to the medieval European musical tradition. The first Chuvash romances were vocal works based on the words of the classics of Russian literature A. Pushkin and M. Lermontov translated into the Chuvash language. Subsequently, independent Chuvash works with an ethnic sound appeared in the Chuvash musical art (works by O. Agakova, Y. Grigoriev). Romances have enriched Chuvash chamber music with vivid artistic images, they are characterized by a deep insight into the drama of verse, sincerity, lyricism and nobility of utterance, a variety of forms. The musical and pedagogical repertoire of vocal students should be supplemented with works of both the early stage (romances to the words of Pushkin and Lermontov translated into Chuvash) and modern (romances with ethnic sounding accompaniment with a characteristic Chuvash folk music mode and metrorhythmics, with Russian and Chuvash texts).
    Keywords:
    creativity, national culture, composer, heritage, song, romance, vocal lyrics
    Go 

  • Modern Song as a One-Size-Fits-All Means of Implementing a Competence-Based Approach in Teaching French

    Proceeding
    The Development of Modern Education in the Context of Pedagogical Competenciology
    Authors:
    Tatiana A. Selezneva, Mariia V. Kharlamova
    Work direction:
    Теория и методика развития образовательных компетенций обучающихся
    Abstract:
    This paper considers the problem of the use of contemporary songs during French lessons. Its relevance lies in the fact that reflecting realities of today’s modern life, songs are a source of linguacultural material. Inspired in their scientific method by the competence approach in teaching foreign languages, the authors set a goal to examine the selection criteria of songs and to propose the basic principles of work with songs. Providing examples, the authors show that the use of these texts entails building and firmly establishing all the necessary foreign language skills: listening, reading, writing, speaking, underlining the universal character of the use of this method and its practical significance in future.
    Keywords:
    competence, communicative competence, language skills, competence-based approach, song, role of songs
    Go 

  • Modern Understanding of Variety Vocal Arts in 1970s – 1980s

    Proceeding
    Development of Modern Competencies of Teachers and Students through the Study and Popularization of the Traditional Culture of the Peoples of the Russian Federation
    Author:
    Viktoria V. Altunina
    Work direction:
    Теория и история традиционной культуры народов России
    Abstract:
    This article provides an analysis of the main processes in the soviet variety vocal art in the 1970s and 1980s. The research of the soviet variety vocals in this time period is significant to form an objective view of the nature of the Russian variety in present day. The purpose of this essay is in reviewing the changes of the soviet and Russian variety emotional content as a significant part of its development and to determine its nature.
    Keywords:
    art, variety vocal art, musical culture, variety song, genre
    Go 

  • World War I Through the Eyes of a Cavalryman: an Overview of the Diary Entries

    Review Article
    Ethnic Culture Volume 3 No 4
    Author:
    Elena V. Fedotova
    Work direction:
    Ethnography, Ethnology and Anthropology
    Abstract:
    The work is devoted to the analysis of the field diaries of the participant of the First World War V.D. Efremov (1890–1978), a native of the Chuvash village of Ilyutkino, Staro-Maksimkinskaya volost, Chistopol district, Kazan province. The purpose of the research is to study the document in the context of historical events and introduce them into scientific use. The work is based on the author's field materials. The document is analyzed from a historical perspective. At the same time, in this work, the author turns to ethnographic and literary approaches. V.D. Efremov (1890–1978) – cavalryman of the 5th squadron of the 14th Dragoon Little Russian regiment. His diary entries were made in Russian in 1915 on the territory of Belarus. The value of this document lies in the fact that it represents the records made during the hostilities themselves. There is not so much evidence of this kind in Russian historiography. The records allow us to trace the movement of a soldier for more than six months and his perception of military events. Interesting in the diary is a poetic text in the Chuvash language, the author of which is K.D. Efremov, brother of a soldier. The song is filled with philosophical content and was written in the folklore traditions of the Chuvash people.
    Keywords:
    World War I, 14th Little Russian Dragoon Regiment, war diary, Chuvash recruitment song
    Go 

  • Song «Fly, Fly, Cuckoo» as a Phenomenon of Musical and Poetic Work of the Chuvash People

    Research Article
    Ethnic Culture No 4 (5)
    Author:
    Alisa L. Agakova
    Work direction:
    History and Theory of Art Questions
    Abstract:
    The article examines the semantic and axiological foundations of «Fly, fly, cuckoo» – the most popular work of Chuvash song folklore. The purpose of the work is to establish the history of the song from the moment of the first recording and analyze its professional processing. The author practices a short generalized description of the most characteristic features of each artistic treatment. This approach allows to clearly feel the individual handwriting of each composer. The research results are based on comparison and generalization methods. The melody of this song inspired the Chuvash and Russian composers to create works of different genres: vocal, choral, instrumental. It is unique in terms of the number of adaptations: there are more than 30 of them – so often composers did not pay attention to any Chuvash song. The article discusses the most vivid and characteristic examples of processing the melody of a song. The author analyzes the works of S. M. Maksimov, A. G. Orlov-Shuzm, G. Khirbyu, A. Petrov, G. Anchikov, V. Bely and others. The inclusion in the educational process of such examples of folk art as the song «Fly, fly, cuckoo», and works created on this topic, contributes to an increase in the level of musical culture, the formation of respect for indigenous peoples and their traditions.
    Keywords:
    folklore, composition, Chuvash folk song
    Go 

  • Representation of the Concept Jumo "God" in Mari Folk Songs

    Research Article
    Ethnic Culture No 1 (1)
    Author:
    Lubov A. Abukaeva
    Work direction:
    History and Theory of Art Questions
    Abstract:
    The article is devoted to the analysis of the religious views of Mari, which are reflected in such genres of folklore as guest and wedding songs. The purpose of the article is to identify ways and means of representing the concept of humo «god» in Mari folk songs. Research methods: continuous sampling, comparative method, component analysis. Results, discussion. The following characters of the Mari pantheon are represented in the songs: the Bright God, the predecessor, the mother of God, the mother of the earth, the mother of wealth, the angel, the daughter of God, the prophet, the daughter of the prophet, the son of the prophet, and the bridegroom prophet. Conclusion. The content of folk songs also presents some stories from mythology, fragments of religious rites and the foundations of the creed of the Mari traditional religion.
    Keywords:
    concept, folk songs, guest songs of Mari, religious views
    Go