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List of publications on a keyword: «artistic bilingualism»

  • The Phenomenon of Bilingualism in Udmurt Literature (on the Example of G. E. Vereshchagin’s Works)

    Research Article
    Ethnic Culture Volume 4 No 4
    Author:
    Alevtina V. Kamitova
    Work direction:
    World languages and literature
    Abstract:
    The article describes the phenomenon of bilingualism, expressed in Udmurt literature at the origins of its formation. An analytical insight of this phenomenon is undertaken on the example of the works of the first Udmurt writer G. E. Vereshchagin, namely, on one of his poems. The introductory part briefly describes the various possible forms of a writer's bilingualism, one of which is adopted by the author under study. Several hypothetical versions are proposed to explain the reasons for the Udmurt writer's appeal to self-translation. An analysis of his lullaby “Glaucous, glaucous dovelet!” in Udmurt and its translated version in Russian, carried out by G. E. Vereshchagin himself, is provided. In the course of a comparative study, similarities and differences were found. It is summarized that the formation of a bilingual context in Udmurt literature begins with the works of G. E. Vereshchagin. Through the author's translation, his poetic creativity is also presented to the Russian-speaking reader for the first time. It is revealed that in the translated text the poet successfully embodied the national stylistics and figurative expressiveness inherent in the original. The study of the bilingual creativity of G. E. Vereshchagin contributes to the understanding of the bilingual phenomenon of national literature.
    Keywords:
    comparative analysis, translation, artistic bilingualism, Udmurt literature, lullaby, original
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  • The Opposition of the Definite/Indefinite Past Tensein the Kyrgyz Language: the Semantic Effects of the Translation of Chingiz Aitmatov Story “The White Ship”

    Research Article
    Ethnic Culture Volume 4 No 1
    Author:
    Begaiym A. Altynbekova
    Work direction:
    Languages of the Nations of the World
    Abstract:
    The article considers the category of time as a phenomenon of language and literary text based on the story of Chingiz Aitmatov "The White Ship". The interest to the category of time is caused by the asymmetry of the semantics of time in the Russian and Kyrgyz languages in the works of Aitmatov, which plays an important role in the translation of the text from Russian into Kyrgyz. The purpose of the study is to analyze the functions of the past tense, especially the past definite/indefinite in the Kyrgyz version of the story. The analysis is based on the onomasiological approach. The results of the analysis are summarized as follows. In the Russian and Kyrgyz languages, when expressing the grammatical category of time, there is a structural and semantic discrepancy between the forms of past and future tense. But in both versions of the story the past tense lies at the central place. On the one hand, this is due to the non–subjection of the future to human nature, on the other hand, to respect for the past of ancestors as an experience that warns the next generation against mistakes. In the Kyrgyz version of the story, thanks to the various forms of the past tense, the translator was able to vividly convey the whole range of emotions of the boy when it came to the Mother Deer, and the translator was also able to show the importance of the ancestors for the boy.
    Keywords:
    Russian language, translation, artistic bilingualism, Kyrgyz language, grammatical category of time, artistic time continuum
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